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	<title>Mixing Engineer</title>
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	<link>http://mixingengineer.net</link>
	<description>Recording, Mixing &#38; Mastering</description>
	<lastBuildDate>Tue, 18 Oct 2011 20:27:44 +0000</lastBuildDate>
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		<title>Ed Seay Talks About his Carl Tatz Design</title>
		<link>http://mixingengineer.net/2011/10/18/ed-seay-talks-about-his-carl-tatz-design/</link>
		<comments>http://mixingengineer.net/2011/10/18/ed-seay-talks-about-his-carl-tatz-design/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 20:27:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press Release]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=488</guid>
		<description><![CDATA[-&#8221;I&#8217;m thrilled with mine,&#8221; quotes multi-platinum GRAMMY®-winning engineer/producer, Ed Seay who has recently tracked and mixed albums for Lee Brice, Mark Jordan, Blake Shelton, Diane Schuur and John Prine to name a few — Nashville, TN: Journeyman recording engineer and four year Carl Tatz Design  PhantomFocusTM System (PFS) veteran, Ed Seay is revered as Nashville’s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Voxengo BMS 2.0 bass management system plugin released</title>
		<link>http://mixingengineer.net/2011/08/04/voxengo-bms-2-0-bass-management-system-plugin-released/</link>
		<comments>http://mixingengineer.net/2011/08/04/voxengo-bms-2-0-bass-management-system-plugin-released/#comments</comments>
		<pubDate>Thu, 04 Aug 2011 06:17:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Press Release]]></category>
		<category><![CDATA[Voxengo]]></category>
		<category><![CDATA[Voxengo BMS 2.0 bass management system plugin]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=482</guid>
		<description><![CDATA[August 2nd, 2011: Voxengo is pleased to announce the release of BMS version 2.0 bass management system plugin for professional surround sound applications, available in AudioUnit and VST plugin formats, for Mac OS X (v.10.4.11 and later) and Windows (32-bit and 64-bit) computers. BMS is able to extract and manipulate low-frequency content of non-LFE channels [...]]]></description>
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		<item>
		<title>Logic Pro X -The Next Version of Logic Studio?</title>
		<link>http://mixingengineer.net/2011/05/03/logic-pro-x-the-next-version-of-logic-studio/</link>
		<comments>http://mixingengineer.net/2011/05/03/logic-pro-x-the-next-version-of-logic-studio/#comments</comments>
		<pubDate>Tue, 03 May 2011 07:21:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Logic Pro X]]></category>
		<category><![CDATA[Logic Studio]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=474</guid>
		<description><![CDATA[Video editors are getting their Final Cut Pro X software in June 2011. This may be speculation, but I would not be surprised if the next version of Logic Studio would be called Logic Pro X, especially when right now we are still going with version number 9. Logic Pro X, what features would it [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avid Unleashes Pro Tools 9—Breaks New Ground with More Creative, Flexible Options for Music and Sound Production</title>
		<link>http://mixingengineer.net/2010/11/09/avid-unleashes-pro-tools-9/</link>
		<comments>http://mixingengineer.net/2010/11/09/avid-unleashes-pro-tools-9/#comments</comments>
		<pubDate>Tue, 09 Nov 2010 18:47:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press Release]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Pro Tools 9]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=462</guid>
		<description><![CDATA[AES Booth #1018 SAN FRANCISCO, 2010-11-04 Company delivers unprecedented creative freedom by redefining world’s most popular DAW with new software-only toolset and broad third-party hardware integration Avid® (NASDAQ: AVID) today announced Pro Tools® version 9—a groundbreaking evolution of the industry’s most popular music creation and audio production solution. Leveraging a next-generation architecture, version 9 of Pro [...]]]></description>
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		<item>
		<title>RME&#8217;s Babyface starts shipping</title>
		<link>http://mixingengineer.net/2010/11/09/rmes-babyface-starts-shipping/</link>
		<comments>http://mixingengineer.net/2010/11/09/rmes-babyface-starts-shipping/#comments</comments>
		<pubDate>Tue, 09 Nov 2010 18:33:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press Release]]></category>
		<category><![CDATA[RME Babyface]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=458</guid>
		<description><![CDATA[The long and eagerly awaited RME Babyface, a new ultra-mobile USB 22-channel audio interface, is now available. Equipped with the latest 192 kHz AD- and DA-converters and two reference class microphone preamps the bus-powered Babyface delivers two high end analog recording channels and four analog playback channels, plus ADAT and MIDI I/O in an attractively [...]]]></description>
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		</item>
		<item>
		<title>Instrumental Rap Beats</title>
		<link>http://mixingengineer.net/2010/10/23/instrumental-rap-beats/</link>
		<comments>http://mixingengineer.net/2010/10/23/instrumental-rap-beats/#comments</comments>
		<pubDate>Sat, 23 Oct 2010 17:38:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Instrumental Rap Beats]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=454</guid>
		<description><![CDATA[The trick to create the best rap beats is by learning from others but carving your own niche. These days, there is flood of new music in the market but more often than not – they are quite predictable and often somewhat copied from the ‘inspiration’ taken! The best thing would be to be inspired [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Brainworx bx_XL Quick Review</title>
		<link>http://mixingengineer.net/2010/10/21/brainworx-bx_xl-quick-review/</link>
		<comments>http://mixingengineer.net/2010/10/21/brainworx-bx_xl-quick-review/#comments</comments>
		<pubDate>Thu, 21 Oct 2010 17:43:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Quick Reviews]]></category>
		<category><![CDATA[Brainworx]]></category>
		<category><![CDATA[Brainworx bx_XL]]></category>
		<category><![CDATA[M / S]]></category>
		<category><![CDATA[M/S]]></category>
		<category><![CDATA[Mastering Limiter]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=451</guid>
		<description><![CDATA[Brainworx bx_XL is a very interesting mastering limiter. Unlike its most competitors, it works with M / S principle. This gives a totally new perspective to the limiting compared to the normal stereo. Except that the signal can be divided using  M / S principle, the mid signal can be further divided into in two frequency [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>iZotope Releases RX 2</title>
		<link>http://mixingengineer.net/2010/10/20/izotope-releases-rx-2/</link>
		<comments>http://mixingengineer.net/2010/10/20/izotope-releases-rx-2/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 15:27:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press Release]]></category>
		<category><![CDATA[iZotope RX 2]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=448</guid>
		<description><![CDATA[iZotope Releases RX 2: Complete Audio Repair Suite Offers introductory pricing on professional tools to repair, restore and enhance audio for music, broadcast, video and more Cambridge, MA (September 29, 2010) – iZotope, Inc., a leader in audio DSP processing, has released RX 2 and RX 2 Advanced, updates to their award-winning audio repair software [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New RME Fireface UFX high-end audio interface starts shipping</title>
		<link>http://mixingengineer.net/2010/10/16/new-rme-fireface-ufx-high-end-audio-interface-starts-shipping/</link>
		<comments>http://mixingengineer.net/2010/10/16/new-rme-fireface-ufx-high-end-audio-interface-starts-shipping/#comments</comments>
		<pubDate>Sat, 16 Oct 2010 20:31:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press Release]]></category>
		<category><![CDATA[Audio Interface]]></category>
		<category><![CDATA[Fireface]]></category>
		<category><![CDATA[firewire]]></category>
		<category><![CDATA[RME]]></category>
		<category><![CDATA[RME Fireface UFX]]></category>
		<category><![CDATA[UFX]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=439</guid>
		<description><![CDATA[The new flagship of RME´s audio interfaces &#8211; the Fireface UFX &#8211; starts shipping. The high-end audio interface provides 60 channels of audio, digitally controlled high-end preamps, reference class converters and supports full 192 kHz operation. The UFX combines ultra-low latency operation with USB OR FireWire and the legendary RME driver stability and maintenance. It [...]]]></description>
		<wfw:commentRss>http://mixingengineer.net/2010/10/16/new-rme-fireface-ufx-high-end-audio-interface-starts-shipping/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RME Extends the MADI/AES Premium Line with a 64-Channel MADI to/from AES-3id Converter</title>
		<link>http://mixingengineer.net/2010/10/16/rme-extends-the-madi-aes-premium-line-with-64-channel-madi-tofrom-aes-3id-converter/</link>
		<comments>http://mixingengineer.net/2010/10/16/rme-extends-the-madi-aes-premium-line-with-64-channel-madi-tofrom-aes-3id-converter/#comments</comments>
		<pubDate>Sat, 16 Oct 2010 09:21:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[AES-3]]></category>
		<category><![CDATA[AES-3id]]></category>
		<category><![CDATA[AES/EBU]]></category>
		<category><![CDATA[converter]]></category>
		<category><![CDATA[madi]]></category>
		<category><![CDATA[RME]]></category>
		<category><![CDATA[RME ADI-6432R BNC]]></category>

		<guid isPermaLink="false">http://mixingengineer.net/?p=433</guid>
		<description><![CDATA[The new RME ADI-6432R BNC starts shipping. The ADI-6432R BNC provides 64 channels of format conversion from MADI to AES-3id* and vice versa. Based on RME&#8217;s highly successful MADI-AES/AES-MADI converter ADI-6432, the newly developed ADI-6432R BNC offers broadcasters ease of integration and fail-safe operation through the utilization of industry standard BNC connectors and dual redundant [...]]]></description>
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